Sunday 13 May 2018

Arctic Monkeys - 'Tranquility Base Hotel + Casino' Album Review


Arctic Monkeys- ‘Tranquility Base Hotel + Casino’


“I just wanted to be one of The Strokes” croons Alex Turner as he announces that his moon-set 1970s styled hotel ‘Tranquility Base’ is open for business. In a quantum-leap styled jump, Turner and co have transported themselves into deep outer-space, seemingly light years away from the drunk antics of their boozy night out themed debut album. It’s a huge risk for the band to completely disregard their highly respected and adored past in order to create a conceptual album that is closer to Mars than it is to Sheffield. With Turner now permanently relocated to Los Angeles, their sixth studio album truly reflects the man’s incredible work ethic and is an emblem for his attention to detail. Hours after its release however, ‘TBHC’ has predominately frustrated fans who were presumably expecting AM 2.0 with it’s difficult to access sound and a musicality that is nothing like anything they have done previous . But, as regular readers of my posts may know, these reviews are purely based on my own opinion and prior to listening I refused to be plagued or influenced by the negative reviews that I experienced and checked myself into ‘Tranquillity Base Hotel + Casino’ with an open mind. So let’s get in the elevator and check out its interior and what it has to offer for its eagerly-anticipating guests.

From first listen, one thing is transparent on ‘TBHC’. Gone are the virulent sing-along choruses, the amp-busting riffs and the Monkeys’ generally manageable sound and you can sympathize with those who are disappointed. In its place are warbling, witty one-liners layered over predominately lounge-piano backing tracks with a simple drum beat and the occasional booming chord from Jamie Cook on guitar, it almost sounds like a recipe for disaster for one of the most highly regarded indie-rock groups out there, yet, for me, it (mostly) hits the spot. The record’s opening track ‘Star Treatment’ revolves around a melancholy Turner recalling his past turmoil and regrets from before he was ‘famous´ whilst also creating an extremely well-crafted metaphor for the media’s depiction of what it means to be a celebrity. The sound of ‘Star Treatment’ creates a gateway for the group to immerse themselves in this new-found style for the rest of the record and it certainly sets a precedent for the remaining 10 tracks.

On ‘TBHC’ Turner’s lyrics are the aspect that appears more vibrant and noticeable than others. His words on this record are some of his densest, most self-aware and actually funny to date, he dabbles with religion, technology, politics, regret, love and everything in between with a tongue-in-cheek manner that somehow draws you in and transports you to whatever weird world he has shaped and developed in his mind. Turner incorporates 70’s and 80’s cultural reference into many of the tracks, Blade Runner, WWF wrestlers, Martini, Ghostbusters and the very first moon landing are all quipped about on ‘TBHC’ in order to create a record that is so lyrically profound and cognizant that it is practically staring at itself in the mirror as if to say “Look at me, I’m fucking gorgeous”. This record will certainly only offer something to those listeners who are willing to dive deeply and immerse themselves into the songs and not just base them on their rather ugly exterior.


The record seems its strongest on tracks like ‘Star Treatment’, ‘One Point Perspective’ and ‘Four out of Five’ where the lounge styled sci-fi easy-listening music oozes over you in such a lavish style that you genuinely feel as if you are enjoying a glass of Negroni on the rocks, smoking a Marlboro wearing a shirt which shows more chest than it covers sitting in a hotel bar sometime during the 1970s. And this is something which no Arctic Monkeys album has done to me since their debut record. There’s a consistent setting that is invented on this record, much like the sweaty, wild events that were presented on ‘Whatever People Say I Am, That’s What I’m Not’. Turner supported this in a recent interview stating that this record was their “bluntest” since their debut effort and I personally feel that this is one of ‘TBHC’s definite strong points. A vibrant and exciting realm is created seemingly effortlessly and the record’s consistency allows this fictional hotel to become of your mind’s landscape from just one listen.

Despite ‘TBHC’s strengths, it’s extremely easy to understand why it has polarized the vast majority of the groups fans. Five years is a long time in music to wait for an album that goes against pretty much everything you’ve done previously. When ‘TBHC’ was announced back in March, the expectancy created of the record was immense and some fans have left Tranquility Base feeling underwhelmed and seemingly ready to leave a bad review on TripAdvisor. Yet, when I have seen these fans complaining endlessly on social media, I am reminded of the band’s opening lyrics to their very first record, “Anticipation has a habit to set you up, For disappointment”, and this perfectly sums up the backlash to this album. It would’ve been perfectly easy for the group to create another ‘AM’, 11 tracks of infectious tracks with rip-roaring riffs and stadium anthems, yet you have to see past that and offer your admiration to the band for clearly creating something that they wanted to make. Yeah so it might not be one of their best efforts but the inventiveness, the risks, the ability to go against the grain allows ‘TBHC’ to shine in outer-space like the star that it wants to be.

The outer-space feel to this record completely fits it, you may find yourself staring into the night sky, attempting to piece together the stars into an easy to access constellation, but when you dig deeper, you can begin to enjoy and embrace ‘Tranquility Base Hotel + Casino’ for all that it has to offer. I’d certainly visit your establishment again Mr Turner, thank you very much for creating such an experience.

Overall Rating- 7/10

Fave Tracks- ‘Star Treatment’, ‘One Point Perspective’, ‘Four out of Five’, ‘American Sports’, ‘The Ultracheese’

Least Fave Tracks- ‘Golden Trunks’, ‘The World’s First Ever Monster Truck Front Flip’, ‘She Looks Like Fun’

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